Afrika Bambaataa

Universal Zulu Nation founder Afrika Bambaataa is credited with first using the term to describe the subculture in which the music belonged; although it is also suggested that it was a derogatory term to describe the type of music. The first use of the term in print was in The Village Voice, by Steven Hager, later author of a 1984 history of hip hop.


http://www.youtube.com/watch?v=9lDCYjb8RHk

Keith Cowboy and The Furious Five

When we hear people talk about Hip Hop greats that have passed , we often hear of Tupac , Biggie , Jam Master Jay and maybe even Scott La Rock. But very seldom is the name Keith “Cowboy” Wiggins mentioned. Keith Cowboy laid the foundation for the call & response tactics that we have seen almost EVERY Emcee use since the 70s. Everytime you hear “throw your hands in the air” , “Say hoooo” etc. etc. you are listening to the creations of Cowboy.  Unfortunately Cowboy did not get the chance to see his contributions reach every corner of the globe. Its only right that Cowboy’s story be told by those closest to him – his family members & fellow Furious 5 brothers…….

Origin of the term

Creation of the term hip hop is often credited to Keith Cowboy, rapper with Grandmaster Flash and the Furious Five. However, Lovebug Starski, Keith Cowboy, and DJ Hollywood used the term when the music was still known as disco rap. It is believed that Cowboy created the term while teasing a friend who had just joined the U.S. Army, by scat singing the words "hip/hop/hip/hop" in a way that mimicked the rhythmic cadence of soldiers marching. Cowboy later worked the "hip hop" cadence into a part of his stage performance, which was quickly used by other artists such as The Sugarhill Gang in "Rapper's Deligth".

Scratching

Old school hip hop would often sample disco and funk tracks such as "Good Times" by Chic. However the use of funk samples went into a decline from 1983 onwards. A live band was often used, as in the case of The Sugarhill Gang. The use of extended percussion breaks led to the development of mixing and scratching techniques. Scratching was pioneered by Grand Wizard Theodore in 1977, and the technique was further developed by other prominent DJs such as Grandmaster Flash. One example includes Grandmaster Flash's "Adventures on the Wheels of Steel", which was composed entirely from Flash on the turntables. However very few tracks contained significant scratching techniques prior to 1981.

http://www.youtube.com/watch?v=3D6JooB-yVg

FREESTYLE RAP

Freestyle rap during hip-hop's old school had a different definition from the definition it has today - Kool Moe Dee refers to this earlier definition in his book, There's A God On The Mic: "There are two types of freestyle. There’s an old-school freestyle that’s basically rhymes that you’ve written that may not have anything to do with any subject or that goes all over the place. Then there’s freestyle where you come off the top of the head". In old school hip hop, Kool Moe Dee says that improvisational rapping was instead called “coming off the top of the head”,and he refers to this as “the real old-school freestyle”. This is in contrast to the more recent definition defining freestyle rap as "improvisational rap like a jazz solo".

http://www.youtube.com/watch?v=agnKPLrG2E0

BATTLE RAP

Battle rap was also a part of old school hip hop. Talking about battle rapping, Esoteric says, "a lot of my stuff stems from old school hip-hop, braggadocio ethic". A famous old school hip hop battle occurred in December 1981 when Kool Moe Dee challenged Busy Bee Starski. Busy Bee Starski's defeat by the more complex raps of Kool Moe Dee meant that "no longer was an MC just a crowd-pleasing comedian with a slick tongue; he was a commentator and a storyteller",which KRS-One also credits as creating a shift in rapping in the documentary Beef.

http://www.youtube.com/watch?v=O4o8TeqKhgY

Old school hip hop is noted for its relatively simple rapping techniques compared to later hip-hop music.Artists such as Melle Mel would use relatively few syllables per bar of music,with relatively simple rhythms.

Much of the subject matter of old school hip hop centers around partying and having a good time.One notable exception is the song "The Message", which was written by Melle Mel for his hip hop group, Grandmaster Flash and The Furious Five. Immortal Technique explains how party content played a big part in old school hip hop, in the book How to Rap: 

"hip-hop was born in an era of social turmoil... in the same way that slaves used to sing songs on a plantation... that's the party songs that we used to have".

http://www.youtube.com/watch?v=C9SyDd7ch_o

It's a lifestyle

you should know...

Old school hip hop (also spelled "old skool") describes the earliest commercially recorded hip hop music (approximately from 1979–1984) and the music in the period preceding it from which it was directly descended .Old school hip hop is said to end around 1983 or 1984 with the emergence of Run–D.M.C., the first new school hip hop group. 

However, some old school rap stations cover 1980s hip hop in general, occasionally extending even into the mid 1990s. The image, styles and sounds of the old school were exemplified by figures like Afrika Bambaataa, The Sugarhill Gang, Spoonie Gee, Treacherous Three, Funky Four Plus One, Kurtis Blow, Fab Five Freddy, Busy Bee Starski, Lovebug Starski, Doug E. Fresh, LL Cool J, The Fat Boys, The Cold Crush Brothers, Kool Kyle, and Grandmaster Flash and the Furious Five, and it is characterized by the simpler rapping techniques of the time and the general focus on party related subject matter.